Similar in concept to its predecessor, "The Living Last Supper", this unique presentation of the Christmas story is seen through the eyes of those who witnessed the first Christmas in Bethlehem many years ago.

The music is Ruth Elaine Schram at her best – beautiful melodies, thoughtful texts, well-crafted part writing – and includes familiar carols with possible congregational participation as well. The demands of the optional orchestration are modest, making it possible for the use of live instruments even on a limited budget. As with “The Living Last Supper,” this musical is meant to be accompanied by piano, and the instrumental parts are optional. The piano part is not a reduction of the orchestration but a beautiful, pianistic accompaniment. If you choose to use the entire orchestra parts available, the instruments will not overwhelm even a small choir. A beautifully recorded accompaniment CD is also available, if desired.

There are brief monologues for ten characters, ranging from Mary and Joseph to members of the Innkeeper's family, interspersed among the seven songs, each offering their personal perspective on the unusual events surrounding them. The set is simple, and requires no changing of scenery or props, making it easy to set up, light, and arrange sound amplification. Also included are character descriptions, set and staging suggestions, and hints for wardrobe and props – everything you need to make your production not only a success, but a success that is easy to achieve.

"The Living Light" is flexible and accessible enough to appeal to – and be within the capabilities of – most music ministry programs. It is available for SATB or SAB voices, and the publisher has provided part-rehearsal CD’s for both versions. This unique Christmas presentation will be the cornerstone of the celebration of the Christ-child, no matter the size of the church, and will be remembered for years to come.